Oil Paintings
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Kazimir Malevich 1878-1935
Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
Kazimir Malevich Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago
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Painting ID:: 82415
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Kazimir Malevich Suprematism Date 1915(1915)
Medium Oil on canvas
Dimensions Height: 101.5 cm (40 in). Width: 62 cm (24.4 in).
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Painting ID:: 84959
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Kazimir Malevich Suprematism. Two-Dimensional Self-Portrait Date 1915(1915)
Medium Oil on canvas
Dimensions 80 x 62 cm (31.5 x 24.4 in)
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Painting ID:: 87771
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Kazimir Malevich Black Cross Date 1920s
Medium Oil on canvas
Dimensions 8 x 6 cm (3.1 x 2.4 in)
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1878-1935
Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
